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Turn On The Bright Lights Tenth Anniversary Edition.zip From mega.co.nz 111.55 MB Indie rock post punk interpol tenth anniversary edition 2012 mp3 320 kbps mikkisays net rar From uploaded.to (296 MB) KOF 10th anniversary.zip From mediafire.com 60.51.
. 'PDA' Released: August 22, 2002. ' Released: September 20, 2002. ' Released: November 11, 2002.
' / 'NYC' Released: April 14, 2003 Turn On the Bright Lights is the debut by American band, released on August 20, 2002. The album was recorded in November 2001 at Tarquin Studios in Connecticut, and was co-, and by and Gareth Jones. It was released on August 19, 2002 in the United Kingdom and August 20 in the United States, through. Upon release, the record peaked at number 101 on the. It reached number 158 on the in the United States, as well as spending 73 weeks on the chart, peaking at number five. The songs 'PDA', ', ', ' were released as singles, with music videos being shot for all except 'Say Hello to the Angels'. The song 'PDA' is featured as a playable track in.
A remastered version of the album was released in 2012 to commemorate its tenth anniversary. It featured additional material including demo recordings of several tracks, the bonus songs previously available on international releases and a DVD of live performances and music videos. Interpol embarked on a tour in 2017 celebrating the album's 15th anniversary, playing the album front to back. Contents. Promotion and release The release of Turn On the Bright Lights was preceded by the marketing of the band's self-titled in June 2002, their first release for Matador.
The EP contained three tracks: 'PDA', future single ', and 'Specialist'. All three tracks later appeared on the album, with 'Specialist' included as a bonus track in Australian and Japanese editions. Further promotion continued at the beginning of the following year, when the band played the 2003 alongside,. Critical reception Professional ratings Aggregate scores Source Rating 81/100 Review scores Source Rating A− 8/10 9.5/10 C+ Turn On the Bright Lights was released to critical acclaim from music critics. The album holds a score of 81 out of 100 from the aggregate site based on 21 reviews, indicating 'universal acclaim'. Contemporary reviews of the album often noted Interpol's influences and drew comparisons to several other acts. Michael Chamy of cited 'melodic -like basslines; the divine textures of and; a peppy, -like bounce; and a singer who's a dead ringer for.'
'It's almost as if Ian Curtis never hanged himself,' began 's review, with critic Jonah Weiner adding that Paul Banks' vocals channeled Curtis' 'gloomy moan.' 's Victoria Segal called comparisons 'obvious and unmistakable, airbourne in the ashen atmospherics,' while praising Interpol's take on the 'grey-skinned British past'. Wrote that Interpol had created an 'homage to their particular vision of the '80s that stands proudly alongside the best of its idols.' Scott Seward, writing in, remarked: 'If I like them because they remind me of eating bad bathtub mescaline in the woods and listening to singles, well, that'll do.
You might like them for completely different reasons.' Noel Murray of opined that Interpol's virtue 'lies in the way its music unfurls from pinched openings to wide-open codas', while of wrote that their 'sleek, melancholy sound is a thing of glacial beauty'.
Eric Carr of argued that the band had forged their own distinct sound, 'a grander, more theatrical atmosphere with lush production that counters their frustrated bombast', praising Turn On the Bright Lights as 'one of the most strikingly passionate records I've heard this year.' However, The Village Voice 's, naming it 'Dud of the Month' in his Consumer Guide column, felt that Interpol 'exemplify and counsel disengagement, self-seeking, a luxurious cynicism,' downplaying Joy Division comparisons as 'too kind'. 's lukewarm assessment of the album described it as 'predictably claustrophobic listening'. At the end of the year, Turn On the Bright Lights featured on several publications' lists of the best albums of 2002, including those of Pitchfork, who named it the year's best album, NME, who ranked it at number ten, and, who ranked it at number five. The album placed at number 15 on The Village Voice 's year-end critics' poll. Legacy Hailed as a seminal album of the 2000s, Turn On the Bright Lights has been cited as an influence on many indie rock bands, including, and others to the extent that many of these bands have been disparagingly referred to as 'Interpol clones'. Closely associated with -era, the album has been seen as helping define 2000s indie rock, and Interpol have been cited as helping usher in the New York-born scene, along with contemporaries such as,.
Summing up the album's impact in a review of its 2012 re-issue, Matt LeMay of Pitchfork wrote: 'Suggesting that this album is simply a product of its time and place is no less naive than suggesting that anyone who has ever been in love could easily write, arrange and record an amazing love song. There were a lot of good bands in New York in 2002, but only one band made this record.' In 2017, the band embarked on a worldwide tour to celebrate its 15th anniversary. At the end of the decade, the album has been featured on numerous lists. This is a and may never be able to satisfy particular standards for completeness. You can help by with entries. Publication Accolade Rank Pitchfork 'Top 100 albums 2000-2004' 3 Pitchfork 'Top 200 albums of the 2000s' 20 'Top 50 Albums 2000-2005' 6 Stylus 'Top 100 Albums of the 2000s' 20 NME '100 Greatest Albums of the Decade' 8 NME '500 Greatest Albums of All Time' 130 '100 Best Albums of the Decade' 59 'Top 200 Albums of the Decade' 3 'Top 100 Albums of the Decade' 7 '100 Best Albums of the Decade' 9 '2000-2009: Albums of the Decade' 13 'Top 20 Albums of the Decade' 10 'Top 100 Albums of the Decade' 35 '21 Best Albums of the 2000s' 12 Track listing All tracks written by Interpol.
Title Length 1. 'Untitled' 3:56 2. 'PDA' 4:59 5. 'Hands Away' 3:05 7. 'Obstacle 2' 3:47 8.
'Stella Was a Diver and She Was Always Down' 6:28 9. 'Roland' 3:35 10. 'The New' 6:07 11. 'Leif Erikson' 4:00 Total length: 49:02 Tenth Anniversary Edition bonus disc No. Title Length 1. 'Interlude' 1:01 2. 'Specialist' 6:40 3.
'PDA' (First Demo) 4:44 4. 'Roland' (First Demo) 3:44 5.
'Get the Girls/Song 5' (First Demo) 3:47 6. 'Precipitate' (Second Demo) 5:33 7. 'Song Seven' (Second Demo) 4:43 8. 'A Time to Be So Small' (Second Demo) 5:47 9. 'Untitled' (Third Demo) 4:13 10.
'Stella Was a Diver and She Was Always Down' (Third Demo) 6:40 11. 'NYC' (Third Demo) 4:27 12. 'Leif Erikson' (Third Demo) 4:27 13. 'Gavilan/Cubed' (Third Demo) (alternatively known as 'Mascara') 6:49 14. 'Obstacle 2' (Peel Session) 3:54 15. 'Hands Away' (Peel Session) 3:10 16. 'The New' (Peel Session) 5:59 17.
'NYC' (Peel Session) 4:17 Bonus tracks on Australian edition. 'Specialist' – 6:39 Bonus tracks on Japanese edition Two different versions exist.
Good: An item in used but good condition. May have minor damage to jewel case including scuffs or cracks, or to the item cover including scuffs, scratches, or cracks. The cover art and liner notes are included for a CD.
VHS or DVD box is included. Video game instructions are included. No skipping on CD/DVD. No fuzzy/snowy frames on VHS tape. See the seller’s listing for full details and description of any imperfections. Genre: Rock Release Year: 2002 Artist: Interpol UPC: 528 EAN: 528. And so it begins.
This album is the first record by the New York Quartet, and a benchmark for the Art Rock genre. The album starts off with an atmospheric song that has a sort of warm droning that is the perfect step stool into the second track, and first single of the album Obstacle 1; a jarring, nostaligias view on a vauge relationship. This track is foreshadowing of the guitar interplay and haunting melodies throughout this album perfectaly orchestrating a very cold and daunting musical environment.
PDA, another jem on the album has an amazing interlude towards the end of the song that shows the bands true skill through inter-harmonic guitar layers and an amazing rythum. This is one of the few albums I can truely say is listenable the whole way through. Each song has it's own charm and story that puts the album high above the rest of contemporar music.